Rosie Clements
Rosie Clements (b. 1990) is a photographer based in Los Angeles whose practice reconstitutes digital images as physical objects. In her recent work, she prints photographs onto bubble wrap using a UV printer. Clements tests the ever-blurring boundary between the material and the virtual, asking what a photograph becomes when it is given a body.
Clements received her MFA from the University of Texas at Austin in 2024. Her work has been featured on the cover of the New York Times Opinion Sunday edition, and has appeared in BOOOOOOOM, Southwest Contemporary, Dazed, and It’s Nice That. Recent art fair presentations include Felix LA and Upstairs Art Fair in Paris with Megan Mulrooney Gallery, and NADA Miami with McLennon Pen Co., alongside group exhibitions at Good Mother Gallery in Los Angeles and Blah Blah Gallery in Philadelphia.
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Bouquet, 2026 -
Candle (unlit), 2026 -
Chrysanthemums, 2026 -
Cigarettes, 2026 -
Circle K, 2026 -
Flowering, 2026 -
Lambrusco, 2026 -
Lilies and candle, 2026 -
Morning, 2026 -
Pleasers, 2026 -
Poppies, 2026 -
Thong, 2026 -
Vibe, 2026 -
Zoloft, 2026 -
Charms, 2025 -
Clipping, 2025 -
Dogleg, 2025 -
Ever After, 2025 -
Glint, 2025 -
High Beam Strobe, 2025 -
Save a Horse, 2025 -
Sunset Sap, 2025 -
Touch, 2025 -
Blushing, 2024 -
Bummer, 2024 -
Low Five, 2024 -
Makeout Point, 2024 -
Pixel Popper #3, 2024 -
Power Lines, 2024 -
Pulsar, 2024 -
Red Manicure, 2024 -
Side Eye, 2024 -
Slipping, 2024 -
The Long Grin, 2024 -
Untitled 01, 2024 -
Updo, 2024
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Medium Is the Message
Rosie Clements and Peter McRury warp hyperreal documentation in “Surface Tension”Lina Fisher, Austin Chronicle, July 2, 2026 -
The Climate Peril We Overlook
Nicholas Kristof, The New York Times, September 14, 2024 -
McLennon Pen Co. Gallery Opens its Doors in Austin
Caroline Frost, Glasstire, June 21, 2023